ALLEN&HEATH LIVE112

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iLive puts the audio processing right where it is needed – on or near the stage. The DSP is in the Mix- Rack, keeping latency to a minimum and giving you the freedom to choose how you control the mix.
iLive provides comprehensive on-board signal and FX processing, so there is no need for expensive and heavy outboard quipment racks. This not only saves space, but reduces preparation time, and cuts back overheads too! Bulky and expensive multicores are a thing of the past, as cabling between the console and Mix-Rack is CAT5.

Full processing is available all the time. Each of the 64 input channels has a gate, parametric EQ, compressor, limiter/de-esser and delay, while all 32 mix outputs have a 1/3 octave graphic EQ, parametric EQ, compressor, limiter and delay.

Complete set-ups can be stored in the console and saved to a USB key, so adapting to different venues, applications, and artists has never been easier. All parameters can be saved, updated, and recalled, so engineers can carry their settings and libraries with them – saving precious time at the gig.

SD1.1-A tweeter Motor de Agudos

SD1.1-A tweeter Specifications top
Nominal impedance: 5Ω
Resonant Frequency: 1200Hz
Rated Power: 15W
Maximum power: 30W
Sensitivity (2.83v/1m): 91dB
Weight: 1.0kg
Voice coil diameter: 25mm
DC Resistance: 4.6Ω
Voice Coil Wire: Copper Clad Aluminum high temperature
Voice coil frame: Aluminum heat
Magnetic circuit type: shielded magnetic magnetic
Magnet material: ferrite High performance
Recommended Crossover:> 2000Hz

SD1.1-A for the Swans acclaimed SD1.1 new. Swans Home Theater Series is one unit. Germany’stop natural fiber using original spherical diaphragm vibration components, designed by the American engineers Swans, Swans in maintaining the original resonant frequency band energy SD1.1 suppression technology based on the substantial increase in the capacity of extended power tweeter unit high bandwidth, linear sound pressure to increase unit output range, which greatly improved the unit distortion in the high-power input, when the sound pressure output up to 96dB, total harmonic distortion at 2.5kHz above all less than 1%. Finite element simulation of high-strength die-cast aluminum panels, the appearance is very beautiful, low-distortion symmetrical magnetic circuit design, quality clean, round, maintaining the original flavor of the D series.

Especially for one-third of the treble frequency system.
Recommended crossover frequency> 2kHz crossover with 12dB ~ 24dB/oct.

Design: Swans Speaker systems, Inc. (USA)
Designer: Frank Hale

Q1R MOTOR AGUDOS

Q1R top Tweeter Specifications
Nominal impedance: 6Ω
Resonant Frequency: 1000Hz
Rated Power: 15W
Maximum power: 30W
Sensitivity (2.83v/1m): 89dB
Weight: 0.8kg
Voice coil diameter: 28mm
DC Resistance: 5.3Ω
Voice Coil Wire: Copper Clad Aluminum high temperature
Voice coil frame: Aluminum heat
Magnetic circuit type: shielded magnetic magnetic
Magnet material: ferrite High performance
Recommended Crossover:> 2500Hz

Treble is a system of soul, her tone, transient, texture, dynamic compression, distortion, among other factors often play a decisive role.
Based on the above factors, the course has introduced a reference-level unit – Q1, I believe her sweet and mellow tone, texture transcend worldliness and attain holiness, unmatched transient in the minds of many people left an indelible memory.


Technology continues to progress, the increasing pursuit of this classic prompted us to optimize the performance of all aspects of the speaker, in 2003 launched a Q1R!
– That classic is still the 28mm soft dome German sound film, the difference is the proportion of material formulations and surface improvement of the damping layer, mellow sound more natural, transient, texture, resolution is to reach another level of state .
– Finite element simulation and optimization symmetrical shielded magnetic magnetic, power surge and more uniform; with the distortion of the magnetic structure of the low harmonic distortion can be effectively reduced; magnetic design that is compatible with a wider scope.
– For lower distortion and better prevent dynamic compression, using a modified cavity design, the use of two cavities, middle catheter connected, in two different cavity using different materials, different shapes of acoustic impedance material.
-Ferrosound magnetic fluid cooling, together with the CCAW coil, reducing the moving mass, increase power to bear, transient better.

Recambio Altavoz Dynaudio D8.8


Nominal Impedance: 8Ω
Resonant Frequency: 32Hz
Rated Power: 150W
Maximum Power: 300W
Sensitivity (2.83v/1m): 86dB
Weight: 3.5kg
Voice coil diameter: 100mm
DC Resistance: 6.5Ω
Voice coil winding width: 23.5mm
Voice Coil Wire: Copper Clad Aluminum high temperature
Voice coil skeleton: high temperature Kapton
Magnetic type: the magnetic magnetic
Magnetic materials: high-performance NdFeB
Coefficient (BL value): 12.9N / A
Magnetic gap height: 7.0mm
Maximum linear displacement: 8.3mm
Cis: 457.8uM / N
Mechanical Q-value: 4.36 –
Power-Q: 0.44 –
Total Q-value: 0.40 –
Moving mass: 53.1g
Equivalent capacity: 37.8L
Enclosure type: lead-phase
Recommended Enclosure Net Volume: 30L
Guide tube relative to the frequency tuning: 35Hz
Box in a free market-3db frequency: 35Hz

Sistema de Grabacion Musical ProTools HD

Sistema de Grabacion Musical ProTools HD:

Música profesional:

sistemas Pro Tools|HD 8 El potente motor TDM del sistema proporciona un rendimiento y una calidad de sonido incomparables. Gracias a los sistemas Pro Tools|HD 8, tus posibilidades creativas ya no estarán limitadas por el número de pistas o la potencia DSP disponible, permitiéndote que te concentres en lo que realmente importa — la música. Y a la hora de ser creativo, Pro Tools|HD 8 ® ofrece la más completa colección de software, plug-ins e instrumentos virtuales más innovadores del momento, dotados con la legendaria facilidad de manejo de Avid. Combina todo eso con las mesas de mezcla ICON, las premiadas consolas profesionales integradas de Avid, y tendrás la solución perfecta para revolucionar tu producción musical.

Música profesional

sistemas Pro Tools|HD 8 El potente motor TDM del sistema proporciona un rendimiento y una calidad de sonido incomparables. Gracias a los sistemas Pro Tools|HD 8, tus posibilidades creativas ya no estarán limitadas por el número de pistas o la potencia DSP disponible, permitiéndote que te concentres en lo que realmente importa — la música. Y a la hora de ser creativo, Pro Tools|HD 8 ® ofrece la más completa colección de software, plug-ins e instrumentos virtuales más innovadores del momento, dotados con la legendaria facilidad de manejo de Avid. Combina todo eso con las mesas de mezcla ICON, las premiadas consolas profesionales integradas de Avid, y tendrás la solución perfecta para revolucionar tu producción musical.

Grabación, mezcla y edición

Los sistemas Pro Tools|HD 8 proporcionan unas herramientas increíblemente potentes para grabar y editar música, que permiten obtener resultados profesionales de una forma rápida y sencilla. Garantiza el control de tus grabaciones desde los previos de micro integrados de alta calidad, gestionados desde el interior del software Pro Tools HD 8 o a través de una superficie de trabajo ICON o una superficie de control C|24™. Perfecciona tu música con las prácticas funciones de edición del software Pro Tools 8, como Elastic Time, Elastic Pitch, Beat Detective, y Tab to Transient — unas potentes herramientas que te permiten editar, manipular tus grabaciones, cuantizar regiones de audio y hasta cambiar el tempo de pistas completas con gran rapidez.

Composición y creatividad

Los sistemas Pro Tools|HD 8 suministran un gran conjunto de características y productos de terceros que contribuyen a inspirar y a desarrollar tus ideas.

Sus herramientas MIDI creativas, sus plug-ins de procesamiento sonoro y sus exclusivos instrumentos virtuales te permiten experimentar con sonidos increíbles. Crea extraordinarias interpretaciones de batería y percusión utilizando Strike™. Disfruta de las mejores emulaciones de pianos eléctricos clásicos con Velvet™. Si necesitas tonos de amplis de guitarra deslumbrantes, sólo tienes que abrir Eleven™ para conseguirlos. Y con Structure™, nuestro sampler profesional integrado, y Transfuser™, nuestra nueva herramienta para trocear y manipular bucles, tus oportunidades creativas serán infinitas.

Mezcla música con ICON

ICON es la solución de mezclas definitiva para producir música en Pro Tools|HD 8. Su perfecta integración con Pro Tools te permite grabar y mezclar en el mismo entorno de trabajo, conservando la máxima calidad de sonido.

Puedes personalizar las superficies de trabajo ICON D-Control™ o D-Command® para acceder fácilmente a todos los elementos de una sesión de Pro Tools, mientras que sus potentes opciones de automatización te ofrecen un completo control dinámico y una rellamada total de todos los parámetros. En cuanto al procesamiento del audio, tienes acceso a la mayor colección de efectos y plug-ins de procesamiento de la industria, tanto si quieres emular un compresor a válvulas como aplicar un ecualizador digital cristalino.

SOLID STATE LOGIC XLogic Channel

solid-state-logic-xlogic-channel
* Previo de micro con tecnología SuperAnalogue, con entradas de línea e instrumento, y ganancia conmutable.
* Procesador de Dinámica Twin-Curve con selección RMS o Pico para una compresión dramática o sutil.
* Filtros Pasa-Altos y Pasa-Bajos, asignables a la cadena lateral de dinámica, permitiendo el puerteo dependiente de frecuencia.
* EQ con 4 cortes paramétricos con Q variable en los dos cortes medios y Shelving/Bell en graves y agudos.
* Nivel de salida variable con medidor conmutable.
* Convertidores A/D de 24-bit mediante tarjeta opcional.

Fostex LR16 Mezclador Grabador HD

Mezclador para directo 16/4/2 con grabador de 16 pistas a disco duro interno de 80 Gb. 16 horas de grabación a 16bit/ 44.1kHz. Mezclador tipo analógico de operación en entorno digital con 16 faders de entrada + 4 faders de Bus + Master fader. Disdo duro de 80 GB interno para 16 horas de grabación digital aprox. de 16 pistas sin comprimir a 16b/44.1 kHz. Pulsando una sola vez el botón ”REC” comienza a grabar las 16 pistas inmediatamente. Mezclas estéreo y multi-pista pueden ser grabadas simultáneamente. La caja de conexiones (grabador + I/O) y el controlador (sección mezclador) se pueden separar hasta 50m con el cable off-the-shelf CAT5. Solo un cable desde la caja I/O sobre el escenario hasta el F.O.H controlador mezclador en vez del pesado cable convencional. Opción de integración de MTR independiente o montaje en rack separado. El disco duro formateado en FAT32 puede ser utilizado en PC o Mac via USB. TRIM digitalmente controlado con LIMITADOR sobre los 16 canales. EQ de 3 bandas sobre los 16 canales. Efectos Master (Reverb/ Delay) incorporados. Puerto USB para volcar los datos grabados a una memoria flash para transferirlos fácilmente a un PC o Mac. 10 teclas sobre el panel del grabador para una reproducción instantánea. Frecuencia de muestreo 44.1/ 48 kHz. 16/ 24 bits. Tamaño: 482 (W) x 136(H) x 570 (D) mm. Peso: aprox. 13 Kg.

Manual Fostex_LR16

Merging Technologies

Merging Technologies

MERGING TECHNOLOGIES PYRAMIX 6
September 2007—Pyramix 6, a 48-channel DSD recording system from Merging Technologies (www.merging.com), takes another step forward with the new Ramses controller and Oasis I/O boxes, offering DSD and DXD recording with optional mic preamps. The multiformat Ramses MSC is a fully integrated record, editing, processing and fully automated mixing system that’s scalable from 16 to 256 I/O channels and tracks in eight to 24 (plus dual-operator, 48-channel) configurations, with full static or dynamic automation of all parameters, including joystick surround panning control. Full support of VST plug-ins on all channels and buses are standard, as is support for sample rates from 44.1 to 384 kHz, plus 48-channel DSD and DXD options. Also available is Merging’s VCube and VCube SE standard/HD video integration. Another Ramses option is a version of Smart AV’s (www.smartav.net) ARC™ technology for instant access to large numbers of channels. Current Pyramix owners can upgrade their systems to Ramses MSC, incorporating their existing Merging hardware.


MERGING TECHNOLOGIES PYRAMIX 6
June 2007—Merging Technologies gave us a sneak peak of Pyramix 6—the first-ever, 48-channel DSD recording system. Merging also showed the new, sharp-looking Ramses controller with its Oasis I/O boxes that offer DSD and DXD recording with optional mic preamps in the box. It all speaks back to Pyramix via MADI.


MERGING RAMSES MSC CONSOLE
May 2007—Developed with Smart AV, Merging Technologies unveils the Ramses (priced per configuration) MSC digital console featuring 256 channel/tracks. A Pyramix system running the MassCore engine lets users control up to five workstations from a single surface. Essentially a digital console integrated into a large multitrack recorder/editor, MSC offers modes for post and live multitracking. It’s scalable from 16 to 256 channels with up to 256 buses, and offers an integrated 48-channel DSD/DXD system. Ramses will still use Merging’s Mykerinos and I/O hardware and will be offered as a stand-alone workstation or as an upgrade for existing users.

SLS Loudspeakers

SLS Loudspeakers

SLS PS8R
June 2005—The PS8R from SLS Loudspeakers (www.slsloudspeakers.com) is a bi-amplified near-field using the company’s new Evenstar Sigma-Delta digital amplifier technology. The driver complement includes an 8-inch woofer with an integral phase plug for the LF and the company’s PRD500 5-inch ribbon driver for the HF. The ribbon tweeter has 120-degree horizontal and 30-degree vertical dispersion, allowing for a wide sweet spot. A user-selectable limiting circuit can protect the woofer from over-excursion. The LF amplifier has 180W of power; the HF amp provides 40W. Response is rated at 44 to 20k Hz (±2 dB). Retail is $1,495 each.


SLS PL6/PL6C SERIES
November 2004—Offering enhanced sonic performance for in-wall and in-ceiling installs, both new models include a PRD Planar Ribbon HF driver and a polycomposite woofer with Santoprene surround, which provide the extended frequency range necessary for the accurate playback of high definition music. In addition, the system offers uniform coverage over the entire frequency range with an extra-wide “sweet spot” for maximum full-range coverage.


SLS PS8R POWERED STUDIO MONITOR
November 2004—Building on the award-winning S8R line of studio monitors, the new PS8R powered studio monitor uses a unique amplifier topology that lowers distortion, increases bandwidth, and improves noise performance over traditional amplifier techniques while maintaining high efficiency. Additionally, each amplifier has been customized and matched to power the S8R drivers with appropriate headroom, damping, and uniform response.


SLS HT6.5W
July 2004—SLS Loudspeakers offers the SLS HT400 5.1 Surround Sound Speaker System ($3,000), a package centered on the lauded PRD NEO3 planar ribbon driver, which is known for super-smooth, upper-end clarity. The complete surround system includes four passive HT6.5S two-way speakers, a passive HT6.5C dedicated center-channel speaker and the 150W HT6.5W powered subwoofer. All full-range speakers included in the package are video-shielded, bi-wireable and feature gold-plated terminals, custom grilles and high-polish ebony piano lacquer finishes. The 8-ohm HT6.5S speakers feature a 42 to 25k Hz frequency range, a 6.5-inch woofer, a PRD NEO3 ribbon tweeter and handle 100W RMS (200W max). The 4-ohm HT6.5C has dual 6.5-inch woofers, a PRD NEO3, a frequency range of 48 to 25k Hz and handles 150W RMS (300W max). SLS’ HT6.5W subwoofer has a 6.5-inch, high-excursion woofer with rubber surround, a response of 25 to 150 Hz with a 50 to 150Hz variable low-pass crossover and an internal amp with a power handling of 150W RMS.


SLS S1065 SURROUND SYSTEM
November 2002—At last month’s AES show, SLS Loudspeakers unveiled a 5-channel surround system based on its new S1065 speakers, which features dual 10-inch woofers, a 6.5-inch cone midrange and the PRD500 ribbon tweeter. The MF and HF drivers are mounted on a rotatable panel, which allows the speakers to be used horizontally or vertically, with the woofers oriented above, below or on either side of the mid/high section. The 26x36x12.5-inch (WxHxD) cabinet weighs 136 pounds and is capable of 121 dB continuous SPLs (127dB peaks!). Response is rated as 35 to 30k Hz (±2.5 dB); retail is $3,000 each.


SLS S1066
November 2002—A new offering from SLS is the S1066, a high-SPL monitor with dual 12-inch woofers, twin 6.5-inch mids and the large PRD1000 tweeter. The planar ribbon drivers in both systems feature neodymium push-pull magnet structures, a high-temperature Kapton diaphragm and response out to 40 kHz.


SLS 6.1 SYSTEM
December 2001—SLS Loudspeakers’ SLS 6.1 System ($8,000 in custom oak finish, $6,850 in black) is a digital-ready surround studio monitoring solution that incorporates the company’s S8R monitors and a pair of matched PSS12 powered subwoofers. The S8R is a two-way monitor that is used for all channel configurations (5.1 and up), and features a 5-inch ribbon tweeter and an 8-inch woofer in a 19×10.5×11.25-inch (HxWxD) enclosure. Frequency response is 44 to 20k Hz (±2.5 dB) and maximum SPL is 110 dB. The PSS12 subwoofer includes a 12-inch woofer, offers a 28 to 150Hz frequency response and features a variable crossover (50 to 100 Hz). The SLS 6.1 System features the company’s new PRD500 ribbon driver; SLS’ line-source technology reportedly provides higher transient response, extended dynamic range and sonic accuracy.

AVALON COMPRESSOR AD2044

Dual Mono-Stereo Pure Class A Opto-Compressor

The AD2044 features 100% discrete, pure class A signal amplifier configured with high speed current monitored optical control elements. These “invisible” opto elements enable the AD2044 to deliver totally transparent, low noise gain reduction within the minimalist signal path design. No VCAs are incorporated. Variable attack and release controls plus side chain access, provide unlimited creative control from soft compression to hard limiting.


SONIC EXCELLENCE
The Avalon AD2044 Pure Class A opto-compressor is the most transparent, low noise optical-compressor available today. Designed to optimize absolute signal integrity and musical performance, the AD2044 combines advanced electronics with sonic excellence unequaled by lesser designs. The AD2044 is the perfect solution for two buss music-program compression, mono bass and instruments and mastering applications.

Features include state-of-the-art, balanced 100% discrete, Pure Class A signal amplifiers, practical “real-world” user features and rugged hardware designed to deliver true high performance audio for many years.

LINEAR OPTICAL COMPRESSION
Custom manufactured, high speed linear opto elements provide the non invasive passive attenuator system for invisible gain reduction. The AD2044 incorporates a unique external control loop and current monitored optical driver for smooth control plus the benefits of traditional vintage LDR compression.

MINIMUM SIGNAL PATH DESIGN
Avalon’s advanced true symmetry design offers high-voltage, large headroom, extended bandwidth and very low noise. The use of 100% discrete, Pure Class A signal amplifiers offer the serious music professional unlimited sonic character and a natural harmonic detail that enhances the program material and becomes one with the music itself.

The AD2044 can be found in the world’s leading recording studio’s, mastering facilities and artist/producers outboard racks. These professionals rely on the AD2044 daily to help them complete their “sonic signature” and turn recordings into musical masterpieces.

AD2044 SPECIFICATIONS

Circuit topology High-voltage 100% discrete, balanced and symmetrical Class A
Output Gain Range Variable -10dB to +10dB, center detent 0dB
Maximum Input Level +30dB balanced XLR pin 2 hot
Maximum Output Level +32dB balanced 600 ohms, DC coupled, high-current discrete Class A
Input / Output Type XLR type, pin 2 hot balanced
Noise 20kHz Unweighted -94dB (compressor in)
Distortion THD, IMD 0.5% (typical 0.05% at +6dB 1kHz)
Frequency Response -3dB 1Hz to 450kHz (input band limited)
Gain Reduction Meter Illuminated gain reduction meter 0dB to -20dB range
Output Meter Professional moving coil type -20dB to +3dB  (0VU=+4dB)
Compressor Type Optical passive attenuator
Bypass Hard-wire relay bypass for compressor in-out
Link Switch Large illuminated push switch for stereo L-R linking
Make Up Gain Variable 20dB range (-10dB to +10dB)
Threshold Threshold variable -24dB to +20dB
Ratio Ratio-compression variable 1:1 to 20:1
Attack Variable 0.5mS to 150mS
Release Variable 80mS to 5 seconds for 12dB release
Side-Chain XLR type, pin 2 hot balanced (switch/relay selectable from front panel)
AC-DC Power External AC supply, 150w toroidal transformer, 4 pin cable 90v isolated,
(B2T Power Supply Included) 100-240v selectable 50/60Hz, 150w max
Dimensions 19 x 3.5 x 12 in (482 x 88 x 305mm)
Shipping Weight 30lbs (13.6 kg)